In the winter of 2009, over one hundred displaced indigenous community members occupied the offices of the United Nations, located in San Cristobal De Las Casa, Chiapas Mexico. The offices where taken over in hopes of gaining international attention from humanitarian organizations. After three months of the occupation, the United Nations simply decided to find another building and moved.
A few months later, two artist that had become disillusioned with the institutional proposed purpose of art, wished to believe that art could be a radical form of communication, and soon moved into the building and began an experimental art space and an international artist residency of diverse practice. They began to invite artists, activists, cultural workers, inventors, healers, gardeners, PhDs, jugglers, and educators to take part in creating an experiment on activism and art. This group of artists, disenchanted by the continuing linear path of art history, came to EDELO in favor of art as a vehicle for possible transformation.
Inspired by the 1994 Indigenous Zapatista uprising, where word and poetry are used to inspire a generation to imagine “other” worlds possible, EDELO has retained the name of the UN. It is a part of an investigation of how Art, in all its disciplines and contradictions, can take the supposed role of such institutional bodies: in creating understanding, empathy, and to serve as a tool for imagining alternatives to what seem to be a harmful and violent system that we have come to accept.

EDELO Migrante 2014 - Present

Once an experimental intercultural art space and residency of diverse practices inhabiting the building of the former UN, Edelo is now nomadic collectives creating works with diverse communities in the Americas.

You are viewing the text version of this site.

To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.

Need help? check the requirements page.

Get Flash Player